Seven stories that show several characters going through their daily
life wasn’t enough to get me hooked on this series, though I still plan
to give it a shot. I wonder if it would have been better to read about
them after the first book in the trilogy, to already have an idea of
what the world is like. I realize that these are day-in-the-life stories
and that because they are short it’s hard to give much depth to the
story, but I wish the author had taken more chances with the characters.
There is a lot of history given in large chunks, which I found awkward,
as was much of the dialog. I was a bit worried after the first story,
which had a lot of that, but fortunately the next one was more
interesting. Only Ralowyn’s could be called exciting, and I enjoyed her
interior voice and concerns even before the action. The others were
small snippets that didn’t swing me one way or the other. The author’s
style is very casual, which takes a bit of getting used to. Like other
prelude stories I’ve recently read, it isn’t drawing me rushing into the
main trilogy. However, I’m still looking forward to seeing more about
this world, due to other things I’ve read about it - and of course
the phenomenal cover!
Spoiler review:
Merrick and Rora covers the hunter Merrick and his hawk
Rora, and how they came to be together. It’s a short story that didn’t
enthrall me to the writer’s style, especially when citing dialog. It was
a typical tale of Merrick wanting to train a hawk, and not realizing
their potential together. The flashbacks were not as engaging as I think
they were intended to be. In the present, Merrick watches a battle
between the Gryffon Guard and the Orc Legions, in which both sides are
nearly wiped out. His sister is taking care of the sole Gryffon Guard
survivor, and the tale ends with him wondering how a battle came so
close to his home. Neither the character nor the situation made me want
to read further, and if this was all, I would have unfortunately given
up.
Fortunately, the story of Kaelor was a bit better. I could
sympathize with this elf who serves a useless king. He is the power
behind the throne, but I didn’t get the sense that he loved the power.
It was still a job to him, and he did it because it was his duty. I
don’t yet have a sense of how the different races mingle or don’t
mingle. I think the king is human, so it appears that humans and elves
mix, though Merrick said they were rarely seen in human lands when he
was trained in teaching Rora. There is a tie-in to that story, in that
Merrick’s father comes to court to report on the surviving Gryffon
Guard, who has awakened. Kaelor also takes note of the unrest in the
outer provinces before the story ends.
Smarlo’s story takes us in
a different direction, and one which I enjoyed more than the previous
two. Again, the dialog was a little to modern and casual for my tastes,
but after the first couple of pages, Smarlo is on his own, and the
introspection is well-written. He’s an orc mage, and is tasked with
investigating a dangerous predator in the mines. He does his research,
which was a bit too much exposition, but gave us his thoughts on it,
too. When he enters the mines, he almost immediately gets lost, but
finds the predator and her nest, which the orcs destroy. It’s
unfortunate that the only magic Smarlo does is some minor explosions to
keep the creature at bay. The knowledge gained, though was worth it. He
finds writing on the walls in the Dark language, and knows that there
are tunnels down to the underrock, a dangerous place full of unnamed
evil. I suspect he’ll have to read that forbidden book he dropped, and
that the tunnels will come unblocked at some point.
The fourth
story is a quiet one for Nera, a member of the Griffin Guard. It’s hard
to fit the timeline into this story, as they talk about an entire unit
being destroyed, as in the first two, but then they say the king is
dead, and the surviving member of the battle against the orcs is now
king. Why weren’t the king and Kaelor more excited if it was the prince
being healed? How could they not know? Regardless, this story is about
how Nera interacts with her family, teasing her mother and encouraging
her little brother to get ready to apply to the Guard when he’s a little
older. When she returns to her unit, she spars with another prince, but
it’s obviously not the brother to the new king, so who is this guy? He
and Nera are flirting, and nearly kiss, which is of course interrupted
by a call for the prince to attend a summons. Nothing much happens, and
we don’t learn much about Nera, except that she is happy to be where she
is.
Ralowyn’s story is the most exciting of them all. Strangely,
she spends most of her time alone. I could have done without the
memories which doubles as exposition and backstory, and which slowed the
story down. But I loved the elven connection to nature, and the way she
could spend forty years walking the forest, learning about herself
–elves being so long-lived that it was a blink of the eye to her. I also
loved the way she used her staff, to light the fire, and bring her into
balance. After all the backstory, the present story focuses on a
hideously loud creature that is barreling through the forest, scaring
even a bear that she’s telepathically linked to (after it scared her).
This was also very well written. She and the bear follow the creature,
which turns out to be a man, shocking both of them, as humans don’t come
into this area. The story ends on a cliff-hanger that is well-deserved.
When we get to Tobin, it’s more of a day-in-the-life story. He’s a
Halfling, and I was surprised to find that he’d married and had a child
with a dwarf, Lenor. It’s a different world from Tolkien. He runs a
transport business, taking passengers and goods from one village to
another, or the central depot where he can charter out to the manager.
He’s kind-hearted, and caravans with the old dwarf Georl. Georl is
funny, in that he never says anything, just grunting, as Tobin is full
of talk, lots of words to say not much. They meet up with other
wagonriders, where Tobin finally gets to speak with somebody. When he
arrives at the depot, he’s disappointed to learn that there are no
passenger commissions, so he waits until morning and hears of people who
just sold their boat, and have no means of transportation. The story
ends with him arriving to pick them up. Presumably, this is where we’ll
find him in the first novel.
The final story is about a dwarf
named Lotmaeg, ready to join the hunt for a garvawk so that a new member
of their warriors can fly. Lotmaeg chases down a wizard for the hunt,
who will put the garvawk to sleep, and Felton will have to wake him for
bonding.
They know exactly where to find the garvawk and how it hunts, so they
climb into its cave and everything goes according to plan. This was
another of the interesting stories, but the author isn’t taking any
chances with his characters, which made it tiring after a while. The
characters talk to each other, explaining history that they probably
already know, and the author gives us a lot of infodumps, fortunately in
small chunks, but they feel awkward.
I feel that these stories
would be better read after knowing more about the characters and their world, so I
understood better the dangers they might face. As it is, only two of the
characters face even a tiny bit of danger, and one of them turns out to be a
false threat. I hope the trilogy of books is more exciting than this,
because while interesting, the short stories had more trouble keeping me
hooked.