An interesting concept that starts as pure fantasy and ends in science
fiction. The book drops us into this world, where Voiders can use powers
to affect the world around them, and the Effulgency is a sort of
religious cult, and we learn about them both as the book goes on. I
liked the way the main character grew throughout the story, and
especially how what he learned or obtained in one chapter often had a
relevant effect on the next one, kind of like a video game. The writing
style took some time to get used to, being kind of operatic in quality
as narrated from the first person aristocracy, but flowed easily enough
once I got used to it. One thing I had trouble with was the way the main
character kept exhausting himself with voidance even when it wasn’t
urgent to do so. What kind of power leaves their wielder near death
after small exertions? By the end of the book he was giving mostly huge
exertions, for which exhaustion is a more reasonable price.
Spoiler review:
I always enjoy being dumped in the middle of a story, and figuring out
how the world works. In this case, it’s the void, and the way it’s used.
Through the first few chapters, Democryos demonstrates that he can alter
the physical world by touching his voidstone. It’s always necessary to
have a price to pay for using magic, but this seems extreme for the
usage. While it’s true that warming a bathtub of water or heating a
balloon full of air for a long journey must take a lot of effort, there
are other things that seemed pale in comparison that should not have
left him so drained, I thought. The only voidance that he performed that
didn’t drain him was floating down the cliff with Chimeline at the very
beginning.
Throughout the story, Democryos is obsessed with
finding his wife, who left him that morning for somebody else. He can’t
believe it, and the mystery deepens when he finds out the man she left
with had obscured his face, proving that he’s a voider. Meanwhile,
Democryos is upset at the King’s war, which has taken almost all of his
voider students. The King knows that he’s not a Master Voider for
wartime, and (we learn later) sends one of his consorts home with
Democryos to kill him. But something draws him away, and he leaves for a
hidden laboratory, where he finds all sorts of voidance materials,
including an airship of his own design.
Taking the assassin
(whom he thinks is a whore) with him in the airship, he burns the
laboratory to the ground, and they travel south, closer to the war. But
the effort in keeping the air hot drains him too much, and they crash,
and end up in a cage. The effulgent who comes to feed them and discuss
their situation spews what seems at first religious nonsense about
owning the dark, and giving to the nameless one. It’s here that
Democryos starts to grow, as he realizes that the world is way larger
and more complicated than he ever thought.
It comes from his
time being so busy with the University, where he cares only for teaching
his students, and choosing the most talented to go out into the world
-except that Democryos knows nothing about the world, so he’s actually
sending them to their doom. The others who are sent to war probably fare
better, as they seem to have been put to work searching for a huge
voidstone in the bay.
Democryos learns that his student was
killed accidentally by the effulgent from a disagreement about a house,
and he spends time at a drug farm with another of his students -who has
lost the ability to perform voidance because of his addiction. There
they pick up Colu, a mercenary who used to be part of the enemy’s navy.
The time with the drug addicts was telling, showing how much Democryos
doesn’t know, even about the people who are traveling with him. It takes
his student to tell him about Chimeline being an assassin.
The
big change in the book comes when the effulgent, who gets named Blythe
by Democryos, touches the voidstone, and realizes that the theories his
religion preaches can be confirmed. This is where the book changes from
fantasy to science fiction. It turns out that the effulgency came from
outer space, and mingled with the local population to stay alive. The
voidstones are part of their hyperspace drive, the axion drive, and are
filled with the disassociated souls of people- slaves who in this form
can manipulate the physical world. At that point, they reach the
southern city and bay that was in contention in the war, and where
Marine and the mysterious voider traveled by airship. It turns out that
Mender, yet another of Democryos’ students, was also an effulgent, one
of the few who could be both. And he’s after the axiondrive. He’s
contacted the rest of his people, who are coming.
Democryos
fights him, but even with the help of the trapped souls, who make him
much more powerful, he can’t defeat Mender. Marine sacrifices herself
once she sees Mender’s plan, entering the voidstone, while Chimeline is
touched by the open voidstone, and develops a link to the souls within.
She helps Democryos chase Mender, where they fight and Mender is finally
killed.
I liked the way Democryos realizes that he loves
Chimeline, even though she was assigned to kill him, as she comes to
love him also. He realizes that his wife Marine, whom he idolized, was
really just interested in power, and that she didn’t love him the way he
loved her. Their relationship developed slowly such that the readers saw
it before he did.
Good characterization and a slow boil to the
story, which has a small shocking moment, make this a story worth
reading, and keeps me interested in what comes next. The writing style
is almost operatic, in the first person, and is difficult in some
places, but deeper into the book, I was able to get used to it. Not bad
at all.